Tuesday, 22 October 2013
Yes!
Labels:
books,
Chris Monks,
Facebook,
gourds,
Hamlet,
internet,
John Warner,
marriage,
McSweeney's,
Wi-Fi
Monday, 21 October 2013
Making friends in the big house
And just so you know, there's no hyphen in 'killing spree'.- Charlie Sheen, Anger Management
Labels:
(il)literacy,
Charlie Sheen,
death,
hyphens,
incarceration,
punctuition,
Quoted Matter,
TV
InDefinition - 60
ungoing, adj. not ongoing; in a condition of stasis. ' My ungoing battle to produce that bestseller I'm always talking about.'
Utter bollocks
SIMON GARFIELD: I'm not one for writing my emotions down in e-mails, partly because I think it's odd writing on a keyboard, y'know, how much you love someone... I think you still want to send love-letters - that's the reason we don't send condolence e-mails...- theguardianpodcasts
CLAIRE ARMITSTEAD: But Hemingway was writing on a typewriter; he didn't write in handwriting.
SIMON GARFIELD: Oh, yeah, but it's still that human connection.
The Isherwood section is worse.
On Teju Cole
Publishers now pitch their books like Hollywood concepts, so Teju Cole’s first novel, “Open City” (Random House; $25), is being offered as especially appealing to “readers of Joseph O’Neill and Zadie Smith,” and written in a prose that “will remind you” of W. G. Sebald and J. M. Coetzee. This is shorthand for “post-colonialism in New York” (O’Neill), “lively multiracial themes” (Smith), “free-flowing form with no plot, narrated by a scholarly solitary walker” (Sebald), “obviously serious” (Coetzee), and “finely written” (all of the above). There is the additional comedy that Cole’s publishers, determined to retain the baby with the bathwater, boldly conjoin Smith and O’Neill, despite Smith’s hostility, advertised in an essay entitled “Two Paths for the Novel,” to O’Neill’s expensive and upholstered “lyrical realism.”- James Wood, The New Yorker
Labels:
books,
Coetzee,
Hollywood,
James Wood,
Joseph O'Neill,
New Yorker,
publishing,
Quoted Matter,
Sebald,
Teju Cole,
Zadie Smith
Sunday, 20 October 2013
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